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Graphic Arts 19th Century

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Scene at the Beach of Treport.

Louise ABBEMA (1858-1927)
Scene at the Beach of Treport.

Elegante a la Place de la Concorde.

Louise ABBEMA (1858-1927)
Elegante a la Place de la Concorde.

Sarah Bernhardt (1844-1921).

Louise ABBEMA (1858-1927)
Sarah Bernhardt (1844-1921).

Woman in Front of the Church of St. Isaac in St. Petersburg.

Louise ABBEMA (1858-1927)
Woman in Front of the Church of St. Isaac in St. Petersburg.

Dermatology Patient.

Jean Louis ALIBERT (1768 - 1838)
Dermatology Patient.

New York; Hester Street.

AMERICAN Anonymous (c. 1500 - present)
New York; Hester Street.

Banner of Indian War Veterans. Salt Lake Division.

AMERICAN Anonymous (c. 1500 - present)
Banner of Indian War Veterans. Salt Lake Division.

New England textile mill.

AMERICAN Anonymous (c. 1500 - present)
New England textile mill.

Oberland Route to California.

AMERICAN Anonymous (c. 1500 - present)
Oberland Route to California.

Franchise & Not This Man?

AMERICAN Anonymous (c. 1500 - present)
Franchise & Not This Man?

Christmas Advertisement.

AMERICAN Anonymous (c. 1500 - present)
Christmas Advertisement.

Thomas Edison: Pearl St Power Station

AMERICAN Anonymous (c. 1500 - present)
Thomas Edison: Pearl St Power Station

Black Woman Picking Cotton.

AMERICAN Anonymous (c. 1500 - present)
Black Woman Picking Cotton.

Brain and Nerve Chart.

AMERICAN Anonymous (c. 1500 - present)
Brain and Nerve Chart.

Buffalo Bill to the Rescue.Buffalo Bill Wild West Show poster.

AMERICAN Anonymous (c. 1500 - present)
Buffalo Bill to the Rescue.Buffalo Bill Wild West Show poster.

A Prairie Picnic.Buffalo Bill Wild West Show poster.

AMERICAN Anonymous (c. 1500 - present)
A Prairie Picnic.Buffalo Bill Wild West Show poster.

Julia Hills Joyhnson Babbitt.

AMERICAN Anonymous (c. 1500 - present)
Julia Hills Joyhnson Babbitt.

Miners of 49.

AMERICAN Anonymous (c. 1500 - present)
Miners of 49.

The Utes Must Go.

AMERICAN Anonymous (c. 1500 - present)
The Utes Must Go.

Frank Leslie's Illustrated Newspaper.Anti-Chinese riot in Denver.

AMERICAN JOURNALIST Anonymous (c. 1800 - present)
Frank Leslie's Illustrated Newspaper.Anti-Chinese riot in Denver.

Vigilante warning poster.

AMERICAN Anonymous (c. 1500 - present)
Vigilante warning poster.

Women's Building. World's Columbian Exposition. Chicago. 1893.

AMERICAN Anonymous
Women's Building. World's Columbian Exposition. Chicago. 1893.

The Emancipation Proclamation by Abraham Lincoln.

AMERICAN Anonymous
The Emancipation Proclamation by Abraham Lincoln.

Beer & biscuits.

AMERICAN Anonymous (c. 1500 - present)
Beer & biscuits.

Valentines.

AMERICAN Anonymous (c. 1500 - present)
Valentines.

Official Catalogue of Exhibits. Midway Plaisance. World's Columbian Exposition.

AMERICAN Anonymous (c. 1500 - present)
Official Catalogue of Exhibits. Midway Plaisance. World's Columbian Exposition.

Frank Leslie's Illustrated Newspaper.Our Wonderful Mineral Productions.

AMERICAN Anonymous (c. 1500 - present)
Frank Leslie's Illustrated Newspaper.Our Wonderful Mineral Productions.

Silver demonetization document.

AMERICAN Anonymous (c. 1500 - present)
Silver demonetization document.

The Globe Smelting & Refining Co. Denver. Colo.

AMERICAN Anonymous (c. 1500 - present)
The Globe Smelting & Refining Co. Denver. Colo.

Woodcut & handset metal type with half-tone photoengraving block & type.

AMERICAN Anonymous
Woodcut & handset metal type with half-tone photoengraving block & type.

One Hundred Famous Views of Edo. Iris Garden at Horikiri. #64.

HIROSHIGE Ando (1797 - 1858)
One Hundred Famous Views of Edo. Iris Garden at Horikiri. #64.

Fifty Three Stations of Tokaido.Utsu Mountain at Okahi. Station 22.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Utsu Mountain at Okahi. Station 22.

One Hundred Famous Views of Edo. Plum Garden in Kamaido.

HIROSHIGE Ando (1797 - 1858)
One Hundred Famous Views of Edo. Plum Garden in Kamaido.

Merchants along the Nehobashi.

HIROSHIGE Ando (1797 - 1858)
Merchants along the Nehobashi.

Fifty Three Stations of Tokaido.The Teahouse at Mariko. Station 21.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.The Teahouse at Mariko. Station 21.

Fifty Three Stations of Tokaido.Tea House Patrons Dining at Maruko.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Tea House Patrons Dining at Maruko.

Fifty Three Stations of Tokaido.The Suruga Bank of the Oi River near Shimada. St

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.The Suruga Bank of the Oi River near Shimada. St

Fifty Three Stations of Tokaido.Distant View of Mt. Akiba at Kakegawa. Station 2

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Distant View of Mt. Akiba at Kakegawa. Station 2

Famous Places of Kyoto.Maple Trees at Tsaten Bridge.

HIROSHIGE Ando (1797 - 1858)
Famous Places of Kyoto.Maple Trees at Tsaten Bridge.

One Hundred Famous Views of Edo. Duck in Snow.

HIROSHIGE Ando (1797 - 1858)
One Hundred Famous Views of Edo. Duck in Snow.

Fifty Three Stations of Tokaido.The Satta Pass at Yui. Station 17.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.The Satta Pass at Yui. Station 17.

One Hundred Famous Views of Edo. Asakusa Rice Field. During the Cock Festival at

HIROSHIGE Ando (1797 - 1858)
One Hundred Famous Views of Edo. Asakusa Rice Field. During the Cock Festival at

Sudden shower over the Shinohashi Bridge.

HIROSHIGE Ando (1797 - 1858)
Sudden shower over the Shinohashi Bridge.

Merchants along the Nehobashi. Detail.

HIROSHIGE Ando (1797 - 1858)
Merchants along the Nehobashi. Detail.

Fifty Three Stations of Tokaido.The Abe River near Fuchu. Station 20.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.The Abe River near Fuchu. Station 20.

Fifty Three Stations of Tokaido.Ferry Boats at Arai. Station 32.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Ferry Boats at Arai. Station 32.

Rainbow at Takanawa.

HIROSHIGE Ando (1797 - 1858)
Rainbow at Takanawa.

Fifty Three Stations of Tokaido.Driving Rain at Shono. Station 46.

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Driving Rain at Shono. Station 46.

Fifty Three Stations of Tokaido.Junction of the Road to Kamakura at Totsuka. Sta

HIROSHIGE Ando (1797 - 1858)
Fifty Three Stations of Tokaido.Junction of the Road to Kamakura at Totsuka. Sta

Tokaido Road. Woman in litter.

HIROSHIGE Ando (1797 - 1858)
Tokaido Road. Woman in litter.

Famous Places in Edo.Eitai Bridge in the Evening Rain.

HIROSHIGE Ando (1797 - 1858)
Famous Places in Edo.Eitai Bridge in the Evening Rain.

Twenty Eight Views of the Moon. The Moon Seen Through Maple Leaves.

HIROSHIGE Ando (1797 - 1858)
Twenty Eight Views of the Moon. The Moon Seen Through Maple Leaves.

Thirty-six views of Mount Fuji.The Sea at Satta in Suruga Province.

HIROSHIGE Ando (1797 - 1858)
Thirty-six views of Mount Fuji.The Sea at Satta in Suruga Province.

Poster for Flower Day.

H. ARMOWITZ (active early 20th c - )
Poster for Flower Day.

Poster for La Taverne Olympia.

ART NOUVEAU Anonymous (active c. 1890 - 1914)
Poster for La Taverne Olympia.

Foreign Ferns; Sectional Title Page.

Anna ATKINS (1799-1871)
Foreign Ferns; Sectional Title Page.

Sketch for ceiling of Paris Opera House Foyer. Parnassus.

Paul BANDRY
Sketch for ceiling of Paris Opera House Foyer. Parnassus.

Sleeping Elephant.

Antoine-Louis BARYE ( 1796 - 1875)
Sleeping Elephant.

Isolde.

Aubrey Vincent BEARDSLEY (1872-1898)
Isolde.

John & Salome.

Aubrey Vincent BEARDSLEY (1872-1898)
John & Salome.

The Stomach Dance.

Aubrey Vincent BEARDSLEY (1872-1898)
The Stomach Dance.

The Peacock Skirt from Oscar Wilde's Salome.

Aubrey Vincent BEARDSLEY (1872-1898)
The Peacock Skirt from Oscar Wilde's Salome.

A Platonic Lament.

Aubrey Vincent BEARDSLEY (1872-1898)
A Platonic Lament.

The Dancer's Reward.

Aubrey Vincent BEARDSLEY (1872-1898)
The Dancer's Reward.

A Footnote from Savoy No. 2.

Aubrey Vincent BEARDSLEY (1872-1898)
A Footnote from Savoy No. 2.

Frontispiece 'The Woman in the Moon' and Title page to Salome by Oscar Wilde.

Aubrey Vincent BEARDSLEY (1872-1898)
Frontispiece 'The Woman in the Moon' and Title page to Salome by Oscar Wilde.

How Sir Tristram drank of the Love Drink.

Aubrey Vincent BEARDSLEY (1872-1898)
How Sir Tristram drank of the Love Drink.

Frontispiece for Earl Lavender by John Davidson.

Aubrey Vincent BEARDSLEY (1872-1898)
Frontispiece for Earl Lavender by John Davidson.

Caricature of James McNeill Whistler.

Aubrey Vincent BEARDSLEY (1872-1898)
Caricature of James McNeill Whistler.

Enter Herodias.

Aubrey Vincent BEARDSLEY (1872-1898)
Enter Herodias.

Ali Baba.

Aubrey Vincent BEARDSLEY (1872-1898)
Ali Baba.

The Climax. Illustration to Salome by Oscar Wilde.

Aubrey Vincent BEARDSLEY (1872-1898)
The Climax. Illustration to Salome by Oscar Wilde.

Perfume Assaint.

BEAUSSART
Perfume Assaint.

Mode de Paris #8. Journal des Dames et des Modes.

BEAUX-ARTS Anonymous (c. 1885 - 1920)
Mode de Paris #8. Journal des Dames et des Modes.

Mode de Paris #6. Journal des Dames et des Modes.

BEAUX-ARTS Anonymous (c. 1885 - 1920)
Mode de Paris #6. Journal des Dames et des Modes.

Dante Gabriel Rossetti in his Back Yard.

Max BEERBOHM (1872 - 1956)
Dante Gabriel Rossetti in his Back Yard.

Portrait of Thorwaldsen Wearing his Work Clothes.

Karl Joseph BEGAS (1794 - 1854)
Portrait of Thorwaldsen Wearing his Work Clothes.

Young Man in the Pose of the Thorn Puller.

Camille Felix Bellanger (1853-1923)
Young Man in the Pose of the Thorn Puller.

His Master's Voice.

Émile BERLINER
His Master's Voice.

Jehovah with Satan and Adam.

William BLAKE (1757-1827)
Jehovah with Satan and Adam.

Ceampolo Tormented by the Devils.

William BLAKE (1757-1827)
Ceampolo Tormented by the Devils.

Louis le Gros Freeing the Serfs.

Merry Joseph BLONDEL
Louis le Gros Freeing the Serfs.

Freedom of Religion.

Merry Joseph BLONDEL
Freedom of Religion.

Louis XVIII Seated.

Merry Joseph BLONDEL
Louis XVIII Seated.

Indies of Pondicherry. Cortege of the Governer.

Julien Leopold BOILLY (1796 - 1874)
Indies of Pondicherry. Cortege of the Governer.

Engraving with Erotic Scene: Diablerie.

Frederic BOUCHOT (1703 - 1770)
Engraving with Erotic Scene: Diablerie.

Project for Paris Opera.

Étienne-Louis BOULLÉE
Project for Paris Opera.

Cut for Railway by Robert Stephenson.

John Cooke BOURNE (active mid 19th c - )
Cut for Railway by Robert Stephenson.

Sheet music cover for the Queen's Waltz by Charles D'Albert.

John BRANDARD (1812-1863)
Sheet music cover for the Queen's Waltz by Charles D'Albert.

Punch. Our Merchant Navy. Really Mr. Plimsoll we're both in the same boat. You

BRITISH Anonymous
Punch. Our Merchant Navy. Really Mr. Plimsoll we're both in the same boat. You

Robert First Earl of Lytton. Viceroy to India.

BRITISH COLONIAL Anonymous (active 18th - 20th c)
Robert First Earl of Lytton. Viceroy to India.

Miner's Coat of Arms.

BRITTON & RAY
Miner's Coat of Arms.

Celestial Empire in California.

BRITTON & RAY
Celestial Empire in California.

The Kelmscott Chaucer.Illustration for The Knights Tale.

Edward BURNE-JONES (1833-1898)
The Kelmscott Chaucer.Illustration for The Knights Tale.

The Kelmscott Chaucer.Illustration for The Knights Tale.

Edward BURNE-JONES (1833-1898)
The Kelmscott Chaucer.Illustration for The Knights Tale.

The Kelmscott Chaucer.First page - The Prologue to the Canterbury Tales.

Edward BURNE-JONES (1833-1898)
The Kelmscott Chaucer.First page - The Prologue to the Canterbury Tales.

Aerial View of the Great Exhibition Building (the Crystal Palace).

Charles BURTON (act. c. 1851)
Aerial View of the Great Exhibition Building (the Crystal Palace).

Katie Korwin.

Julia Margaret CAMERON (1815 - 1879)
Katie Korwin.

Letters to Sir George Hayter.

Antonio CANOVA (1757 - 1822)
Letters to Sir George Hayter.

Charles Baudelaire from Galerie Contemporaine.

Etienne CARJAT
Charles Baudelaire from Galerie Contemporaine.

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